![]() ![]() And the main purpose of a reamp box is reamping. What Is Reamping?īefore I explain how reamp boxes work it’s important to know what reamping is and how it works because it will help you understand better. So, get any type of reamp box and you will be fine. I have used both types and to be honest, didn’t notice any difference and had no issues. On the other hand, active reamp boxes are brighter and clear and offer hum canceling. However, there are passive and active reamp boxes that work the same way but have slight differences.įor example, passive reamp boxes use transformers and don’t require a power source. They all have inputs and outputs however some of them may offer filters, level control, polarity, etc. You might see different reamp boxes and think that there are various types of boxes that do different things but that’s not true.Īlthough various reamp boxes exist all of them do the same thing. Many people think that they are the same but it’s not true. A DI box converts an unbalanced signal to a balanced signal. That becomes apparent when you want to reamp your instruments.Īlso, it’s important to know that this device does the opposite of what a DI box does. The reamp box just covers the sound but the important thing is what you can do with it. And there are many great reamp boxes with additional features. The main features of it are input and output and that’s all you need to start reamping. In simple words, a reamp box is an audio converter that converts a balanced, low-impedance signal to an unbalanced, high-impedance signal. In this post, you will learn what a reamp box is, what it does, and how it works. But don’t be afraid because I’m going to tell you every detail about reamp boxes. If you are new to recording there is a big chance that you don’t know what it is and what it does. A little magical box that helps you with reamping guitars or other instruments. It fills out their line of other reamping devices, making Radial the go-to store for reamping.I’m sure you’ve heard about reamp boxes. I can’t think of a better company to continue the Reamp brand. Because I already had an ongoing patent agreement with Peter Janis, president of Radial, I felt comfortable approaching him with the sale idea. Unfortunately, however, the rising cost of manufacturing in the US forced me to decide whether to lower the build quality of the Reamp or find a company that could both maintain the quality and at the same time expand its customer base. “This ‘no compromise in quality’ commitment continued for seventeen years with only a few modifications along the way. “When I built my first Reamp in 1994, I insisted on using the very best components available”, said John Cuniberti, owner of the Reamp. ![]() ![]() Financial terms were not disclosed.Īs part of the agreement, Radial will market a Reamp similar in design to the V2 called the JCR reamper. Oakland, CA – Janu– Recording engineer John Cuniberti announced today that he had signed an agreement to sell his Reamp patent, trademark, and all business assets to Radial Engineering Ltd, a leading manufacturer of products used by audio professionals and musicians around the world. The Reamp® trademark has become synonymous with the process of re-amplifying and is used frequently when describing the process itself. The demand-driven mostly by word of mouth continued to grow, with 2010 being its biggest and last sales year. A huge user list of famous engineers, producers, and musicians adds integrity to the Reamp® brand name. With pressure from fellow engineers who wanted their own Reamp, I decided to get into the manufacturing of Reamps.įor seve nteen years, over 3000 Reamps were sold by me in the United States and overseas. After a few days of experimenting with off-the-shelf transformers and a simple circuit design, the first Reamp was born. I made some phone calls to audio dealers looking for an interface to handle the conversion and discovered none existed. ![]() The problem was the output of the tape recorder was not compatible with the input of the guitar amplifier. I wanted to feed a guitar amplifier with a pre-recorded guitar track from a 2” Studer tape recorder. In 1993, out of necessity, I designed and built an interface box to solve a problem I was having in the studio. The Little Red Box that Started a Revolution ![]()
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